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Drawn into the world of glass art after watching the documentary Degenerate Art: The Art and Culture of Glass Pipes, I was captivated by the grassroots movement of artists blending traditional and innovative glassblowing techniques to create functional art. With no local mentors, I began my journey by teaching myself in a friend’s shed, gradually acquiring equipment and skills through hands-on experimentation and a deep curiosity about how glass objects are made.

My work is most recognized for two recurring themes: outer space and rainbows. I’m particularly known for my “Star map” fuming technique that resembles the grid of a map over the night sky, and my vibrant rainbow tie-dye prep. While my primary focus is borosilicate flameworking, I regularly explore other forms of glass art. Winters find me in a local soft glass studio crafting everything from functional cups and bowls to large, intricate bongs. I also experiment with stained glass and am looking forward to adding neon bending to my repertoire.

My artistic inspiration is rooted in forms of “degenerate art”-works that challenge societal norms and push the boundaries of acceptability. I am especially influenced by Mark McCloud and his collection of vintage blotter art, which, much like American glass pipe art, evolved from its controversial origins into a celebrated form of functional creativity. This spirit of transformation and resistance is central to my approach and philosophy as an artist.

When people interact with my work, I hope they notice the meticulous attention to both form and function. My goal is for each piece to enhance the user’s experience, making every moment more present and meaningful through the artistry of glass.

I’ve had the privilege of showcasing my art at events like my “Sex, Pot and Acid” show at Piece of Mind Missoula, where I explored themes ranging from custom blotter prints to glass sex toys. I also accept commissions for custom pieces and have recently started teaching beginner classes at Galaxy Glass, where I enjoy introducing new artists to the torch and the transformative power of molten glass.

Outside the studio, I’m passionate about electronics, woodworking, laser engraving, and 3D printing-often designing innovative ways to display my glass art. Whether I’m melting glass or building a new display, I’m always exploring new intersections of creativity and craftsmanship.